IdeaJones

Tag: DJEMF

  • Pumpkin Dances and Good Vibrations

    Pumpkin Dances and Good Vibrations

    ideajones-happy-jackI created this short video as a holiday greeting for our Facebook page. It’s set to the music of Mick Martin & The Blues Rockers.

     

    Fortunately, we have good working relationships with a few artists who allow us to use their music for non-commercial projects.

     

    Too often, what could be a good moment, or a good project, goes down in flames for lack of basic courtesy. Case in point…

    My friend Janice and I volunteered to hand out information for a charity at a concert. We wanted to go to the concert (The Monkees, supporting their “Good Times” cd and the band’s 50th anniversary). The charity, The Davy Jones Equine Memorial Foundation, supports a herd of horses left behind by one of the founding members of the band (Davy Jones).

    We wanted to approach people who came for the concert and tell them about the charity. From the venue’s perspective, this can go very wrong. We could have arrived and just started approaching people in line — people who might not have want to be bothered. We might have slowed down the line of people entering for the concert, talking to people who were interested, and making things harder on the people charged with seating the audience and getting the show started.

    Janice and I went the day before, explained what we were going to do, and asked who we should speak with. Because we approached the people at the venue when they weren’t too busy to talk to us, and asked politely (1) if we could and (2) how they’d like us to do it, they were receptive.

    Eventually, we spoke with the head of Operations for the venue and he had the staff set up a table and chairs for us inside, and allowed us to enter early to set up. We were told a few times by various people at the venue that they appreciated how we went about it — that we asked beforehand, and were mindful of not wanting to interrupt the jobs other people needed to do. They checked on us a few times to see if we needed anything. When the wind picked up, they even taped the back of our poster to our table so we wouldn’t have to chase it.

    Janice and I had a great time. Lots of people who are fans of Davy Jones learned about his charity, and we enjoyed the concert. We also enjoyed working with the staff at Vino Robles.

    Which is how Mark and I approached people about using their music for videos. We did it far enough ahead so that nobody was rushed, explained what we wanted to do briefly and clearly, and asked permission. It sounds simple, but I’ve seen people just charge ahead without asking more times than I can count — and it usually doesn’t end well.

    Mom used to say “Respect other people’s work and don’t get in the way of it.” Good manners are good sense. They don’t guarantee you’ll get a “yes,” but they take a lot of obstacles out of the way and make that “yes” more likely.

    Btw, I can’t say enough about Vino Robles, which is a lovely venue, and Paso Robles, a lovely small town on the California coast. If you’re making vacation plans, it’s worth checking their event calendar, picking a concert, and making a trip. We stayed at the Best Western Black Oaks, which was clean, comfortable and has a friendly, efficient staff.

  • Back To The 60s

    This poster, just finished, celebrates some great 60s memories.
    This poster, just finished, celebrates some great 60s memories.

    This is the 50th anniversary year of a lot of 60s stuff:

    The Monkees tv show (and band) launched September of 1966;

    Star Trek (the original) debuted the same year;

    The Chevrolet Camaro, The National Historic Preservation Act (preserving sites with historic significance in the U.S.), the last official Beatles concert, the Batman tv series, and Francie, the Barbie doll’s “hipper” cousin, all made their bows in 1966.

    I was in kindergarten and Mom said that my older sister would be taking me to see The Monkees in San Francisco, CA the following January. To say I was thrilled would be an understatement.  They were playing The Cow Palace and I hadn’t been there. They were playing San Francisco and I hadn’t been there (even though we lived in Santa Cruz, which isn’t that far away). And they were The Monkees. I played their records until they were so fuzzy it sounded like static.

    Then Mom told me the concert had been canceled. Someone was sick. That was that.

    Well, that wasn’t really that — Mom lied. I think she got a look at the chaos that was the audience at a Monkees concert and decided that she didn’t want her five-year-old daughter to be trampled to death. Or my sister, who was a hippie, adamantly refused to take me. I’ll never know. Either way, it would be years before I’d hear them live. I got to see “the Threekees,” which is any three members of the band, a couple of times in the 80s. Those times it was Peter Tork, Micky Dolenz and Davy Jones. The shows were a lot of fun. I even got pranked by Davy, which is a very special memory for me.

    This year, Mark took me to see “the Threekees” again, in Monterey. Initially it was to have been “the Twokees,” in this case Peter Tork and Micky Dolenz, but Mike Nesmith came onstage for the last part of the concert. It was in an old “golden age” movie theater, The beautiful Golden State Theatre in Monterey, and we got to meet up with friends. Thanks to our friend Janice, we even ended up center stage, second row, and we had a lot of fun. And while I didn’t get to see them in San Francisco, I will be seeing them in Paso Robles, CA with Janice — which is why Mark and I made this poster.

    Davy Jones died suddenly, leaving his daughters and a herd of horses, some of them rescues, behind. Horses are expensive to maintain (I grew up with them and it’s both labor-intensive and expensive to keep a horse), and his daughters set up a charity to keep their father’s little herd together. As my time in fandom comes to a close, it seemed like the right note to do something to support the Davy Jones Equine Memorial Fund. So Janice and I will be out in front of the theater before the show, passing out information.

    This poster of Davy Jones is also a nod to one of my favorite artists of the 60s, Peter Max. I’ve been a fan of his work since I was a little kid.  It’s colorful, flowing, and when I was a kid in Santa Cruz, psychedelic art was everywhere. Of course, I was much too young for the “tune in, turn on, drop out” 60s, but the aesthetic was in magazines, on tv, in the music, clothes, movies…  Since Max’s work and The Monkees both came out of the 60s, it seemed right to mix a bit of Peter Max into the style. I’ve also got a thing for stained glass. Most often associated with churches, there’s something about stained glass that makes the subject more of a statement.

    Stained glass is bold in its use of color and light, but fragile. It also forces the eye and brain to do one of the things they do best — find patterns. The face here is rendered minimally, but it’s clear what and who it is.

    So I’ll be standing around this weekend in Paso Robles, hoping this encourages people to approach us and get information about Davy Jones’s charity (yep, official charity, 501(c)3, I checked), and making people smile. If you’re in the area I hope you stop by!