{"id":354,"date":"2011-08-25T21:43:58","date_gmt":"2011-08-26T04:43:58","guid":{"rendered":"https:\/\/ideajones.com\/?p=354"},"modified":"2011-08-26T14:41:57","modified_gmt":"2011-08-26T21:41:57","slug":"worth-the-price-of-admission","status":"publish","type":"post","link":"https:\/\/ideajones.com\/?p=354","title":{"rendered":"Worth The Price of Admission?"},"content":{"rendered":"<p>I&#8217;ve been trying to figure out what makes a story work (or not). Joey and I regularly dissect movies we watch together (usually after the film &#8211; we&#8217;re both sticklers about not talking <em>during<\/em>). Buy a ticket for a roller coaster, and you want a ride worth the price of a ticket. This goes for any entertainment, right? My standards for movies, for example, go: on TV or streaming with commercials, premium TV or streaming, matinee, and full-price. By the time you get to &#8220;full price,&#8221; I expect to be very entertained. We usually (but not always) agree on what was a very good, or so-so experience. There seem to be some basic areas where an idea has a chance to go right (or wrong):<\/p>\n<p>AUDIENCE &#8211; Who did they think was watching the romance tacked on to the thriller or action-adventure movie, where it&#8217;s clear somebody said, &#8220;We need a romantic interest!&#8221; but nobody asked &#8220;Why?&#8221; and nobody gave any more thought to that part of the story, so there it is, begging to be fast-forwarded through. Or the goofball comedy that all of a sudden grinds to a halt for <strong>The Message<\/strong>, leaving you rolling your eyes. Did the people putting the movie together have a clear picture of who they&#8217;re trying to entertain?<\/p>\n<p>GENRE &#8211; Maybe I just wasn&#8217;t the right audience for Helen Hunt&#8217;s &#8220;then she found me&#8221; (based on the novel by Elinor Lipman). We saw it because we both like Helen Hunt, and still do, but was it a comedy? It said it was (well, they used the term &#8220;dramedy,&#8221; but doesn&#8217;t that mean you get comedy with your drama?). It wasn&#8217;t. I don&#8217;t mean &#8220;I didn&#8217;t get it.&#8221; I got it &#8211; there were no gags, no jokes, no funny situations. It was a drama. The DVD included interviews with the cast trying to sell me on the idea that what I&#8217;d just seen was a comedy. Some really fine actors couldn&#8217;t convince me this movie was funny.<\/p>\n<p>HOOK &#8211; In <em>all<\/em> genres, there&#8217;s something akin to the blood-soaked corpse as a way to hook your audience. I still remember seeing the 1970 film &#8220;Mark of the Devil&#8221; when it first came out. (I know, I&#8217;m dating myself &#8211; I&#8217;ll date myself further by telling you Mom dropped me off at the theater and had no idea what I was going to see. I remember my friend wondering how I could continue to eat my Good &amp; Plentys as the fake blood was squirting all over. Hey, it was <em>fake<\/em> blood.) I&#8217;ve been hooked on horror ever since. (Remember, it was <em>fake<\/em> blood. Don&#8217;t try to make me sit through the nature show where the lion kills the zebra. Yuck.)<\/p>\n<p>THE &#8220;WOW&#8221; FACTOR &#8211; Bathing beauties or train wreck, a visual appeal is a big plus. I&#8217;ll go with the train wreck every time. Joey likes animals, especially dogs. Oh! Maybe nude dog-trainers on the circus train. Or not. (&#8220;The Greatest Show on Earth&#8221; with Charlton Heston, Betty Hutton and Jimmy Stewart includes a great train wreck. It works even though you can see the crashing trains are little models.)<\/p>\n<p>RESOLUTION &#8211; Tie me a bow on this package. I want to feel that I&#8217;ve fully experienced the trip. Which isn&#8217;t to say I really wanted to see what Harry Potter looked like 19 years later (although the second time they shot the scene, it worked <em>fairly<\/em> well).<\/p>\n<p>TAKEAWAY &#8211; In a (good) comedy or drama, there&#8217;s usually a scene or character you&#8217;re still talking about on the way to the car. In musical comedy, there&#8217;s usually a song you&#8217;re still humming on the way out the door. I definitely hum the tunes from Andrew Lloyd Webber shows when leaving the theater &#8211; he&#8217;s hit the same theme time and time again, all evening long. (Hey, if you&#8217;ve got it, flaunt it. He does write some good stuff.) At least there&#8217;s a new theme with each show.<\/p>\n<p>ADDED VALUE &#8211; One word. Easter egg. OK, that&#8217;s two words, but you know what I&#8217;m talking about. Who hasn&#8217;t spent a few minutes (or more) playing the Perry Platypult game Disney developed for the Phineas and Ferb movie. I know I have. Go ahead, you know you want to. Here it is: <a href=\"http:\/\/tv.disney.go.com\/disneychannel\/originalmovies\/phineasandferb\/games\/platypult\/\" target=\"&quot;_blank\">Perry Platypult Game<\/a> <\/p>\n<h6>(Warning: This link will take you to a Disney site where you will have to watch a brief commercial before you can play the game.)<\/h6>\n<p>Also, I&#8217;m a sucker for those stingers at the end of the movie, that added bonus for sitting through the credits. Tuck in that little bit of &#8220;extra,&#8221; like the roller coaster that seems to reach the end of its journey, only to take off again (Sea World&#8217;s &#8220;Journey to Atlantis&#8221; ride does this right. A great ride, you think you&#8217;re reaching the end, then&#8230; yes!).<\/p>\n<p>So now we try to put all this to work, and try to make the ride worth the price of the ticket.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve been trying to figure out what makes a story work (or not). Joey and I regularly dissect movies we watch together (usually after the film &#8211; we&#8217;re both sticklers about not talking during). Buy a ticket for a roller &hellip; <a href=\"https:\/\/ideajones.com\/?p=354\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17],"tags":[9],"class_list":["post-354","post","type-post","status-publish","format-standard","hentry","category-ideajones","tag-mark-jones"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ideajones.com\/index.php?rest_route=\/wp\/v2\/posts\/354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ideajones.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ideajones.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ideajones.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ideajones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=354"}],"version-history":[{"count":59,"href":"https:\/\/ideajones.com\/index.php?rest_route=\/wp\/v2\/posts\/354\/revisions"}],"predecessor-version":[{"id":419,"href":"https:\/\/ideajones.com\/index.php?rest_route=\/wp\/v2\/posts\/354\/revisions\/419"}],"wp:attachment":[{"href":"https:\/\/ideajones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ideajones.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ideajones.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}